ParquetryHardwoodLuxury vinyl plank
Where Quality Meets Elegance
Custom parquetry, medallions and rare hardwood floors, cut piece by piece
NWFA Wood Floor of the Year — Parquetry
The studio
Wood, drawn as part of the architecture
We work in wood: medallions, parquetry floors, sculptural wall panels, tables and doors, each one made for a particular room. Every piece starts as a drawing on paper, sized to the room before a single board is cut.
Clients, designers and architects come with what they have: architectural drawings, a sketch, a photograph of the room or an idea to develop together. The drawing starts from there.
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Award-winning parquetry
Our full-room geometric floor won the National Wood Flooring Association's Wood Floor of the Year award in the Parquetry category. Judges in that category look closely at the joints and at how the pattern resolves at the walls.
the award and the shop behind it - 02
The wood leads the design
Walnut, oak, hard maple, hickory, padauk, ebonized oak and other figured species. Grain and color are planned into the drawing, so boards are chosen for figure before size, and each one is placed where it reads best.
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Cut and fitted by hand
The pattern is laid out to the measured space. Every element is cut, fitted dry on the bench and adjusted until the seams close tight, with the grain lined up from piece to piece. Each piece is made once, for one space.
how a custom floor comes together
Craft
What we make
Seven kinds of work, one method behind all of them: draw it, cut it, fit it dry, then install it.
01Custom Parquetry
Whole-room geometric fields, drawn to your dimensions and cut in the shop, so the pattern lands square against every wall.
See the work
02Medallions
A compass rose, a star, a monogram. Cut from solid hardwood, ringed, and let into the field flush with the floor.
See the work
03Sculpted Doors
Solid walnut panels carved in relief, the curves drawn to follow the figure of the wood. Each pair is made for its own opening.
04Borders & Inlays
A running band around the room, a threshold marker, a diamond chain in contrasting wood. Mitered at the corners so the rhythm holds.
See the work- 05
Herringbone & Chevron
Two patterns people often confuse. Both start from a centerline drawn on the subfloor, which is why the run stays true across a long room.
See the work - 06
Exotic & Wide-Plank Hardwood
Walnut, hickory, padauk, ebonized oak. Boards chosen for figure, laid so the strongest grain falls where the light hits it.
See the work - 07
Designer Luxury Vinyl Plank
For basements, radiant heat and rooms that see standing water. Laid out with the same borders and patterns we draw for wood.
See the work
Signature piece
Rose Compass Medallion
- Materials
- Walnut and maple, hand-cut
- Diameter
- 60 inches
- Pieces
- 214, cut and fitted by hand
- Project
- Private residence, Spokane
- Completed
- 2022
Eight long points between eight shorter, four cardinal letters, acanthus scrolls running off the diagonal, all ringed in dark stringing and set flush into a hard maple field. At standing height the walnut reads almost black against the maple, and that contrast is what keeps the points legible from the far side of the room.
Materials
The wood
Species get picked for how they behave next to each other. A pattern only works if the light wood stays light against the dark one after the finish goes on and the sun does its work.
Hard maple
The pale field in the rose compass floor. Close, even grain that holds a crisp inlay edge.
Black walnut
The dark side of most of our contrast work. Wide plank walnut also meets stone in the curved transitions.
Padauk
The red band in the interlaced star medallion. Strong color straight off the saw.
Brazilian cherry
Trade name for jatoba. Red-brown that deepens in the sun, and far harder than oak underfoot.
Hickory
The field under that star. Wide tone range board to board, which reads as movement across a big floor.
Oak
The ground for border work, including the diamond-chain floor. Takes a stain evenly and mills clean.
Ebonized oak
Oak taken to black through the grain rather than over it, used on floors and stair treads.
Stone
Travertine and marble, cut to meet wood along a curve or set as a mosaic medallion.
Process
From drawing to floor
Four stages, in this order, because each one settles a decision the next one depends on. You see a drawing and a cost figure before any wood is cut.
The process in full- 01
Measure and draw
We take the room, then draw the pattern into it at scale. Scale matters more than style here: a medallion that suits a 12-foot entry disappears in a great room.
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Choose the wood
Species are selected for contrast and for how they will move in your house. Samples go on the actual floor, in the actual light, before anything is ordered.
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Cut and fit on the bench
Pieces are cut and assembled dry, so every joint is proven before glue. This is where the hours go, and it is what keeps the seams tight later.
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Install
The field is laid to the drawn centerline, the pattern is set into it, then the floor is sanded flat and finished as one surface.
Selected work
Recent work
Medallions, borders, staircases, and one wood-to-stone seam that turns an S-curve without a metal strip. Every piece is listed with the species it was cut from.
See all projects
Award
Recognition
Judged best in the Parquetry category, NWFA Wood Floor of the Year.
National Wood Flooring Association, 2026
Commissions
Start your floor
Every commission starts the same way. A room, its measurements, and a decision about how much pattern that room can carry. The drawing settles the rest.
Where we work
Part of this work has to happen in your room
A medallion can be built on a bench. A field pattern that has to land square against your walls cannot, and neither can the sanding that makes pattern and floor read as one surface.
Where we work, in full- SpokaneWA
- Spokane ValleyWA
- Liberty LakeWA
- MeadWA
- Airway HeightsWA
- CheneyWA
- Nine Mile FallsWA
- Coeur d'AleneID
- Post FallsID
- HaydenID
Consultation
Tell us about the room
Bring a room, a rough size and one picture of something you like. That is enough to start a drawing. Species and scale get settled once we have seen the space.
What you send is used to quote your project. Nothing else.